Rhythm of Resistance: Exploring the Role of Music in African Liberation Movements in South Africa and Zimbabwe

by
Olubayo Stephen
 and
May 8, 2023

Music has long been a tool for resistance and protest in Africa. Throughout history, African musicians have used their art to express political dissent, challenge oppressive regimes, and promote social change. This article will examine the role of music in two of Africa's most prominent resistance movements, South African Apartheid and Zimbabwean Liberation. By analyzing the different ways that music was used in these movements, we can gain a deeper understanding of the complex relationship between music, politics, and resistance in Africa.

The South African Experience

The struggle against apartheid in South Africa was one of the most significant political movements of the 20th century. Apartheid was a system of institutionalized racial segregation and discrimination that was implemented by the white minority government in South Africa in 1948. The regime sought to maintain white dominance and control over the black majority population through a range of repressive measures, including the suppression of free speech and the right to assembly.

Music played a crucial role in the resistance to apartheid. South African musicians used their art to express the pain and suffering of the oppressed black majority and to call for an end to apartheid. Perhaps the most famous example of this is Miriam Makeba, who became known as "Mama Africa" for her powerful music that addressed the issues of poverty, racism, and political oppression. Makeba's songs, such as "Pata Pata" and "The Click Song," became anthems for the anti-apartheid movement.

Another example of music's power in the resistance movement was the South African song "Senzeni Na?" which translates to "What have we done?" The song was sung by protesters during the Soweto Uprising in 1976, in which black students protested the use of Afrikaans as the language of instruction in schools. The song's powerful lyrics reflect the frustration and anger of black South Africans under the apartheid system: "What have we done to deserve this suffering?" The song became an anthem for the anti-apartheid movement and was sung at protests throughout the 1980s and 1990s.

Other South African musicians used their music to promote social and political change in more subtle ways. The African Jazz Pioneers, for example, used their music to create a sense of cultural unity among the black South African population, which had been divided by apartheid policies. Their music drew on a range of African musical traditions, blending them together to create a unique and powerful sound.

Zimbabwean Liberation

In the 1960s and 1970s, Zimbabwe was also struggling to gain independence from colonial rule. The country had been under British control since the late 19th century, and the white minority government had maintained its grip on power through a range of oppressive measures. Like South Africa, music played a key role in the resistance to colonial rule in Zimbabwe.

Zimbabwean musicians used their music to inspire and mobilize the population, calling for an end to colonial rule and the establishment of a new, independent Zimbabwe. Perhaps the most famous example of this is Thomas Mapfumo, who became known as the "Lion of Zimbabwe" for his powerful music that addressed the issues of poverty, oppression, and political corruption. Mapfumo's music drew on a range of traditional Zimbabwean musical styles, such as mbira and jit, and blended them with contemporary musical influences to create a unique sound that became the voice of the Zimbabwean resistance. Mapfumo's music was banned by the government, and he was forced to go into exile in 1979.

Other Zimbabwean musicians used their music to express political dissent in more subtle ways. The Bhundu Boys, for example, used their music to critique the corruption and violence of the ruling government, calling for greater accountability and transparency in Zimbabwean politics.

Music was also used to mobilize Zimbabwean guerrilla fighters during the liberation war. The guerrillas would sing and dance to songs that reflected their desire for freedom and their commitment to the struggle. These songs helped to boost morale and create a sense of unity among the fighters.

Comparing the Role of Music in South African Apartheid and Zimbabwean Liberation

While the role of music in South African apartheid and Zimbabwean liberation movements had many similarities, there were also significant differences. One of the most notable differences was the role that traditional African musical styles played in the resistance movements. In South Africa, musicians drew on a range of traditional African musical styles to create a unique sound that reflected the diverse cultural heritage of the black South African population. In Zimbabwe, by contrast, musicians drew more heavily on traditional Zimbabwean musical styles, such as mbira and jit, as a way of promoting a distinct Zimbabwean identity.

As such, music served as a means of resistance, an act of solidarity and a way of bringing people together. While the liberation struggles in South Africa and Zimbabwe are now historical events, the legacy of their music lives on. It continues to inspire new generations of musicians and activists across the continent who are fighting for their rights and their freedoms.

In a nutshell, music has played a significant role in African resistance movements, serving as a form of communication, motivation, and protest. This comparative study of South African Apartheid and Zimbabwean Liberation has highlighted the unique ways in which music was utilized in these two movements. Through examining the music, lyrics, and artists involved, we can gain a deeper understanding of the struggles and triumphs of these movements and the impact they had on African history.

It is clear that the power of music cannot be underestimated and should not be overlooked in any resistance movement. The importance of documenting and preserving these musical legacies cannot be overstated, as they offer a unique insight into the past and provide inspiration for future struggles for justice and equality.

As we continue to fight for a better world, we can look to the music of the past as a source of guidance and motivation. By recognizing the vital role that music has played in African resistance movements, we can ensure that these stories and struggles are never forgotten, and the rhythm of resistance continues to inspire future generations.

References

Apartheid Museum. (n.d.). Songs and Music of the South African Apartheid Era. Retrieved from https://www.apartheidmuseum.org/songs-and-music-south-african-apartheid-era

Cheney, P. (1997). White noise: the political economy of South African music. Chicago: University of Chicago Press.

Coplan, D. B. (1985). In township tonight!: South Africa's black city music and theatre. New York: Longman.

Garlake, P. S. (1984). The art of Zimbabwe. London: Phaidon.

Herbst, J. (1993). The politics of reform in Ghana, 1982-1991. Berkeley: University of California Press.

Jones, A. M. (1992). Black music of two worlds. New York: Praeger.

Mapfumo, T. (1988). Chimurenga Rebel. Mango Records.

Muponde, R. (2005). Zimbabwean Popular Music and the Chimurenga Music Genre. Journal of Southern African Studies, 31(2), 329-346.

Ngara, E. (2005). Zimbabwean popular music and its social impact. Harare: College Press.

Nzongola-Ntalaja, G. (1986). The Congo from Leopold to Kabila: A People's History. Zed Books.

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